In 1965, author J. D. Salinger retired with the world heavyweight book-writin’ title belt. By the early ’80s, his Catcher in the Rye was simultaneously the most-banned and second-most-taught book in American schools. He died this week at 91.
Holden Caulfield says: “Boy, when you’re dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you’re dead? Nobody.”
The iPad is crap futurism whose lack of Flash compatibility might give us a future without Flash. That would be fantastic. The future also promises nine tablet computers that might wind up being as good, better, or cheaper than the iPad. (As with MP3 players and smart phones, Apple wasn’t the first or necessarily the best; they were the loudest biggest and shiniest most magical.)
Holden Caulfield says: “It’s funny. All you have to do is say something nobody understands and they’ll do practically anything you want them to.”
Howard Zinn, who also died this week, shoehorned all history into a single narrative and avoided citing his claims — which you can get away with if you’re writing a history text like this, but not if you’re writing one like this. He didn’t exactly become a historian’s historian. But he achieved a harder thing; he made young people see history for what it is: an evolving story with unreliable narrators, usually written by the winners.
Holden Caulfield says: “People always think something’s all true.”
Has anyone checked on Matt Damon this week? Good Will Hunting was basically Catcher in the Rye: Math Version, and Damon’s character is a big Zinn fan. In fact, Damon was Zinn’s real-life neighbor growing up, and was one of the first people to read a draft of A People’s History.
ENGINE brought a lot of efficiency and standards to the project that otherwise wouldn’t have been there. Ben also holds himself with a professional and friendly manner, and is patient in explaining the technical side of the project clearly to members of our staff that had questions.
– Armistead Booker, Associate media designer
American Museum of Natural History