Thing: How Not to Depict a War from the New York Times Lens blog.The Hurt Locker: a deserving Best Picture nom that’s well-directed, -written, and -performed. But true to life? Its reception has been a case of mistaking grittiness for authenticity; seriously, a bomb squad wanders onto some rifles and then downloads sniping mastery from the Matrix, or so it seems? It’s pretty much a literate Call of Duty, or Rambo in Apocalypse Now skins. And the idea that it’s an anti-war movie is MOOTED by the movie’s final scene. In the Times essay, American soliders in Iraq remotely detonate the movie’s bona fides. So to speak.